History has come to the present, since the Tang Dynasty, China once again open the door to the world, this open to the Chinese art to bring new life, Western art quickly spread nationwide, to the long-lasting Chinese art industry to bring fresh air and revitalize activation. If the emergence and development of Chinese trendy art in the eighties of the last century was a reference and misappropriation of Western art, then whether to enter the nineties began to "gradually" toward the reconstruction of local culture and context of a transfer? Has been limited by the Western art system and postcolonial cultural background of the development of Chinese contemporary art is facing the key and "whether" a new understanding of the art of the nationalization?
This is in this open behind, at the same time brought in the Western culture dross, so that the loss of the country's cultural loss, loss of self, resulting in a large number of artists with low self-esteem of psychological emotions, exorcism, the soul and his Western civilization Put together. If the twentieth century is the century of science and technology, the twenty-first century will be the century of culture, the care of human nature may become the ultimate concern of this century, in the human environment of human art is a concrete manifestation of human care.
The return of human nature to the people's own understanding of the core of artistic thinking, the core of the formation of social awareness has become people understand themselves and the basic starting point of society. At present, with the development of economy, people's living standards continue to improve, the mission of artistic landscaping life is excavated, sculpture marks a new form and the specific meaning of modern fun, began to enter the people's spiritual life, recognized by the people And welcome. People on the sculpture of the aesthetic feelings, is from the heart of the national complex, it is committed to the national art research, practice will be a great boost.
The Chinese nation has a very good appreciation of the taste of art since ancient times, it requires art not only reflect the reality but also the performance of imagination and space. At the same time, sculpture can not only express the author's thoughts and feelings, but also closely link the philosophy and art. Of course, in the spiritual culture of all nationalities, philosophy and art have a special sculpture.
Philosophy is the spiritual foundation of culture, and art is the spiritual flower of culture, the significant difference between the East and the West civilization, first reflected in the two categories of philosophy and art, the principle and performance are profound differences. The construction of sculpture sculpture theory should correspond to concrete practice and reality. The study of sculpture theory will be a big topic, it is related to the national culture and deep understanding and analysis, the relationship between the profound understanding of higher education.
sculpture is a very rich connotation of the concept of the name, which includes both "traditional" and "modern", the traditional point of practical for the purpose of sculpture art, which in time almost contains all the history of Chinese sculpture. Modern sculptures, such as sculpture sculptures, architectural sculptures, industrial sculptures, including sculptures of ideas and installations, are in the form of artistic expression in the 1980s. Its purpose in theory, is to give sculpture material new artistic significance.
"The sculpture, the people, the natural, the three areas of society, and many disciplines of people, nature and society as the background, of course, have a considerable correlation with the sculpture," said the famous modern potter of the United States. "The people here, nature, and society, from a multidisciplinary perspective, are all interactive and indispensable in space and in the environment. sculpture are involved in the public environment. How to participate in this thinking and will be twenty The first century engaged in this study of the sculptor to think about the new subject.
From：sculpture
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