Sculpture art experience

Sculpture art from ancient times has a long history, it is part of human history can not be divided. Throughout the history of sculpture development, there are countless styles, genres, styles, such as copper, stone, wood, pottery, metal welding and other materials. With the development of society and the changes of the times, the vocabulary of Sculpture has also undergone tremendous changes. 

The emergence of nouns, abstracts, traditions, and modernity, such as devices, acts, ideas, multimedia and postmodernism, greatly enrich the form and content of Sculpture, and constantly expand the concept of "sculpture". Its form and means by people from all aspects of play most vividly, where the use of materials, occupy a certain space, are also incorporated into the concept of sculpture, and its use of the scope of the scope of the theme and the theme of the infinite change. The following are the same as the "

The Sculpture around me made me realize that the presence of sculptures was inseparable from space and form, and that space and form became the most basic language of sculpture. Space refers to the sculpture itself occupies a certain sense of scale, the body can be understood as a certain shape, shape of the volume, which the understanding of the concept of shape is easy to produce misunderstanding.

The concept of shape is not clear, for the focus of Sculpture we are a very troublesome thing, how to understand the concept of shape it? In fact, this is a question about the observation method. In general, we will follow the plaster in the multi-angle repeated control of the contour, coupled with the "inner contour" that is the surface ups and downs, focus that can make a good sculpture, and after a certain time (sometimes even after a few years) After learning and training, it is realized that such an observation method is actually wrong.

In this way, it is not difficult to imagine what kind of sculpture, certainly not work. I have been very hard, every one to do a picture, have spent a lot of effort, carefully carefully put the details of the model who, and strive to do exactly the same in the Sculpture, but always stiff, dead. Every time it is finished on the mud, looking for a large sense of the shape is also good, the more deeply the more rigid, then I do not know why this is so. Stiff, dull and other issues how to avoid? The following are the same as the "

Through continuous exploration and expert attentive teaching, I have a further understanding of the body, gradually aware of the observation method of misunderstanding. With the plane of observation, perhaps in the painting can solve some problems, but in the sculpture, it seems powerless, and now recall the original state, see the volume, do more time in the passive copy of the outline, copy Ups and downs, for the work of mechanical reproduction, and observation itself is passive, broken, flat. So, I think the correct way to observe should be to see the whole, three-dimensional body rather than see the contours. The most focus on sculpture, it should be from the observation space in the body at this time, whether you have learned no painting, you can identify. Moreover, it is through the direct view of the complete form of the conclusions drawn. Certainly not by comparing the contours of their different directions to identify. When we do sculpture, it should be a complete and complete look at the shape. 

For those who focus on Sculpture, it is very important to focus on three-dimensional space, which allows us to start learning at a higher starting point and have a stronger personality development potential. Dimensional space, the active observation method for improving our control of the three-dimensional space modeling, and thus create a more artistic appeal of the sculpture, the better performance of the spirit of the work also has a positive meaning. In addition, we through the sculpture class, adjust the observation method, the body has a new understanding of the experience of the future design and development can play a small role in promoting.

From：Sculpture