Stunning three - dimensional marble sculpture art

Today, marble sculptures are increasingly being used! Such as parks, tourist attractions, gates, landmarks ... and even now people after the death of the tombstone also have to use marble in the record fame, so that his children admire.

The emergence and development of marble sculptures are closely linked to human productive activities, and are directly influenced by social ideologies such as religion, philosophy and so on. Such as the French Paleolithic round carving naked and mare, wild boar and other relief, China Shaanxi Hejiawan and Liaoning Lingyuan, built equal to find 5000 ~ 6000 years ago Neolithic stone, bone carving, portrait and goddess color head And so on, reflecting the worship of human nature and the worship of animals and the understanding of the people themselves, the process of understanding the world.

Miro marble sculpture Qin Shi Huang Ling Terracotta Warriors and Horses reproduction of more than 2,000 years ago, the empire of the power and influence. Miro marble sculpture & marble sculpture is the era, thought, feelings, aesthetic crystallization of the concept of social development is the image of the record. The following are the same as the "

Miro marble sculpture on the cultural spirit of the Chinese nation, despite the academic community have different views, but basically from the traditional concept of yin and yang rigid argument. Some people think that the cultural spirit of the Chinese nation is Gui soft, keep the female, still still; some people think that is healthy and vigorous, self-improvement; others that is between the two "moderation".

It should be said that a national cultural spirit is the development of the static description of the inevitable disability, to partial general, and dynamic tracking can be closer to the original appearance of history. Chinese marble sculpture can just become our dynamic grasp of the national cultural spirit of the important reference.

Compared with the literature, it can be more intuitive, but not to disguise the cultural spirit of our nation to show the image of the way, from this sense, a Chinese marble sculpture style of development to a certain extent, is a The History of the Evolution of National Cultural Spirit.

Shijiazhuang Miro marble sculpture so that people can find the marble sculpture style and national cultural spirit linked to the connection point. German auger Hegel has the development of art style is divided into three stages: the first is a grim style, it sticks to the description of the objective simplicity; Miro marble sculpture followed by the ideal style, which is generally mature and perfect art , The style of prosperity; again is a pleasant style, it is often a period of decline in the style of art, the purpose is to "please others", the pursuit of the form of gorgeous and carved.

("Aesthetics" Volume III) Hegel's view of the development of Chinese marble sculpture style, found that is generally consistent. If the marble sculpture from the maturity of the Qin Dynasty period, the Qin and Han Dynasties marble sculpture is a serious style of the typical, and the Sui and Tang dynasties marble sculpture is the ideal style of the typical, Ming and Qing marble sculpture is a typical example of happy style, as the Wei and Jin Dynasties Five generations of Song were from the Qin and Han Dynasties to Sui and Tang Dynasties, Sui and Tang Dynasties to the transition between the Ming and Qing style.

Art style can be different from different levels, in order to examine the evolution of artistic style and the relationship between national culture, here from the traditional Chinese feminine beauty and masculine beauty of the theory to grasp the development of Chinese marble sculpture. Mi Luo marble sculpture Cao Pi in the "Code" papers, "said:" The text of the main gas, gas Qingzhuo body.

Where the Qing refers to the handsome super-majestic masculinity, turbidity is dignified gloomy Yinqi the gas. Liu Xie in the "Wen Xin Diao Long" in the "gas is rigid", "funny soft"; Shen about in the "Song" in the "rigid and soft, with love", is with this Kind of style on the same strain. Qing Dynasty famous ancient home Yao is more clearly put forward the "masculine beauty" and "feminine beauty" style. The following are the same as the "

From the means of expression and form to distinguish, marble sculpture can generally be divided into round carving, relief and carving three categories. Round carving, also known as "muddy carving", is not attached to any background, Shijiazhuang Miro marble sculpture can be viewed from all sides of the marble sculpture. The characteristics of the round carving are standing in the space of the entity image, in the creation must consider its sense of volume and heavy feeling, in shaping the image must also take care of people from different angles to watch. Relief, also known as "convex carving", is engraved on the plane art image. According to the degree of protrusion of the surface, the relief is divided into high relief (high and low ups and downs, bumps deep) and shallow relief (high and low ups and downs, shallow degree). Through the carving, it is between the carvings and reliefs, it is based on the relief, Shijiazhuang Miro marble sculpture will be part of its background made of hollow, but not from the plane, like a attached to the plane on the background of the carving.

It is precisely because the marble sculpture art has the above basic characteristics with other art, and thus the marble sculpture emphasizes the law of formal beauty. Marble sculpture art should be more concise, more concentrated, more general. Miro marble sculpture Western marble sculpture art has a long history, many works. Generally believed that the history of Western marble sculpture has four of the most glorious peak

Western marble sculpture in the history of the first peak is the ancient Greek and Roman period, marble sculpture art has reached a very high level. From 5 BC to the 4th century BC, the glorious period of the Greek sculpture was the emergence of a number of outstanding marble sculptors such as Mi Long, Fidias and so on. Mi Long's masterpiece "discus throwers" and Fidias's masterpiece "fate of the three goddesses", are world-renowned masterpiece. About the first century BC, the ancient Greek sculpture famous works "Venus like", also known as "Milos's Aphrodite", because 18 20 years found in the Aegean Sea in the Milos Island Name, the Louvre in Paris and it will be the collection of the "Milos Aphrodite", Leonardo da Vinci "Mona Lisa" and known as the Louvre Sambo. Miro marble sculpture European Renaissance, can be called the Western marble sculpture art of the second peak. Known as the Italian Renaissance "Sanjie" one of the Michelangelo, is the success of the marble sculptor, painter and architect, Michelangelo's famous "mourning for Christ" based on Christ after the death of the Virgin Mary Son of martyrdom expressed deep condolences of religious stories, because Michelangelo finished this work only 25 years old, many people do not believe that this is from a young sculptor's hand, for which he had to own his name engraved The seat of the breast on the chest, which is why only this piece of work left the name of the sculptor's sake.

In addition, he created the marble statue "David" for the hometown of Florence, as a symbol of the hero of the Renaissance, he designed the marble carving "morning", "twilight", "day", "night" Group of profound works, his other works such as "Moses" and so on, are also the history of the world sculpture immortal works. Miro marble sculpture Western marble sculpture in the history of the third peak, was undoubtedly the 19th century French marble sculpture.

The representative of the characters for the Lude, for the Paris Arc de Triomphe created a giant relief "Marseille song"; realist genre Rodin is "Balzac like", "thinker", "hell gate" and a large number of outstanding works , The Western marble sculpture art to a new peak. Miro marble sculpture Western marble sculpture in the history of the fourth peak, is the 20th century Western marble sculpture, representing the famous French marble sculptor Mayor, as well as modernist marble sculptor, France, Alpine and British Henry. Moore, etc., they expand the concept of marble sculpture, explore the new marble sculpture language.

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